MAKING OF
SPOTS
note: setup for lighting, shading and compositing of phelps in two shots was only contribution for this spot.

note: previz, layout, set modeling, character and set shading, texturing, lookdev,
lighting, rendering & compositing for Phelps


note: [60-second spot of previous] same contribution to Phelps as above.
and previz, layout, hair sim and some set modeling on Nadia (uneven bars).
STILLS
(FINAL COMP : BASE COLOR COMP : SET RENDER) 
CREDITS
 
__________________________________

VFX Director/Lead Flame :: Andy McKenna 
CG Sup :: Kirk Shintani 
Lighting/Look Dev Lead :: Ryan McDougal)
(Main Water Sim :: CIS | Additional RealFlow :: Chris Janney + Ryan McDougal)
:15 + :60 commercial  :: Also various cutdowns + re-edits
__________________________________
3D contribution :: look development, texturing, shader networks/surfacing, lead lighting, layout, rendering, some RealFlow

additional projects

The Shipment | ARROWHEAD WATER
Dog | AT&T DIGITAL LIFE
Away | ILLUSTRATION
Red Lips | SKRILLEX
Tattoo | PISTACHIOS
Meth Cat | PITCH
Apples & Oranges | HALOS
Helping Hands | ILLUSTRATION
Bottoms Up | Short Film
Character Design | ILLUSTRATION